目录
| 正面描述 | Central vignette of the Portuguese explorer Vasco da Gama (c. 1460–1524), rendered in intaglio, flanked by sailing ships. The design incorporates intricate guilloche border work with the issuing bank's legends surrounding the central portrait. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | PAGAVEL NA FILIAL EM LOANDA BANCO NACIONAL ULTRAMARINO (Translation: Payable at the branch in Luanda, National Overseas Bank) |
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| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Banco Nacional Ultramarino occupied a peculiar institutional position: chartered in Lisbon in 1864, it functioned as the privileged note-issuing bank across Portugal's overseas territories, not the metropole itself. By 1909, it was circulating currency in Angola, Mozambique, Cape Verde, São Tomé, and Portuguese India simultaneously — each territory a separate monetary jurisdiction, though often drawing on shared plate designs.
Bradbury Wilkinson's involvement places this firmly in the premium tier of colonial note production. The firm's intaglio work was among the finest available to any issuing authority in the Edwardian period, and BNU returned to them repeatedly across decades of colonial note contracts.
Which territory this specific P#34 was destined for is the critical question — the Ultramarino series of this period can be deceptively difficult to attribute without the overprint or payable text.