Catalogus
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| Uitgever | Seðlabanki Íslands (Central Bank of Iceland) |
|---|---|
| Jaar | 2001 |
| Type | Log in om details te zien |
| Waarde | 10 000 Krónur |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central vignette comprises a bust portrait of the natural scientist and poet Jónas Hallgrímsson, flanked by the mountain outlines of Háafjall and Hraundrangi rendered in microtext formed from Icelandic words coined by Hallgrímsson. A floral guilloche pattern derived from the cover of the periodical Fjölnir is incorporated into the underprint, alongside a facsimile of Hallgrímsson's handwritten poem Ferðalok (Journey's End) and the topographical silhouette of the volcano Skjaldbreiður. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse carries a vignette of a golden plover set against the topographical outline of Skjaldbreiður, accompanied by a facsimile of Hallgrímsson's handwritten poem Fjallið Skjaldbreiður and a scallop shell motif integrated into the decorative composition. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Iceland's highest denomination note when introduced, the 10,000 krónur was issued under the Law of 2001 as part of a broader modernization of the series that moved the currency onto hybrid substrate — a polymer-paper composite rather than full polymer, a compromise that retained familiar handling characteristics while improving durability and counterfeit resistance. Thomas De La Rue supplied the material and handled printing in London.
The design team pairing was unusual: Kristín Þorkelsdóttir brought Icelandic artistic direction while Stephen Alan Fairbairn contributed De La Rue's in-house technical design expertise — a division of labor common in De La Rue commissions but rarely credited so explicitly on the catalog record.