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| Uitgever | Banque Nationale de Belgique |
|---|---|
| Jaar | 1929-1942 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#105 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | BANQUE NATIONALE DE BELGIQUE 10.000 = DIX MILLE FRANCS DEUX MILLE BELGAS = 2.000 PAYABLES A VUE La loi punit le contrefacteur des travaux forcés |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | NATIONALE BANK VAN BELGIE 10.000 = TIEN DUIZEND FRANK TWEE DUIZEND BELGA = 2.000 BETAALBAAR OP ZICHT De namaker wordt door de wet met dwangarbeid gestraft |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The belga was introduced in 1926 as a unit of account equal to five francs, part of the stabilization measures that followed Belgium's severe postwar inflation. Printing this denomination simultaneously in both currencies was a bureaucratic hedge — the belga never fully displaced the franc in public usage, and the dual labeling reflects the uneasy coexistence that persisted until the belga was quietly abandoned after the Second World War.
Poortman and Minguet were among the most accomplished intaglio engravers working for the Belgian school in this period. Montald, primarily known as a Symbolist painter, contributed designs to several high-value Belgian notes of the interwar decades.