Catalogus
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| Uitgever | Central Bank of Armenia |
|---|---|
| Jaar | 2005 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central field depicts a stylised landscape after a painting by Martiros Sarian, featuring bare trees and low buildings in the middle ground set against the twin-peaked silhouette of Mount Ararat in the background. The denomination 10000 and the Armenian legend ԴՐԱՄ appear in large characters across the lower portion of the field. The surrounding border carries the circular Armenian legend ՀԱՅԱՍՏԱՆԻ ՀԱՆՐԱՊԵՏՈՒԹՅՈՒՆ ԿԵՆՏՐՈՆԱԿԱՆ ԲԱՆԿ and the date 2005, all rendered against a recessed, darkened rim. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Facing bust of the Armenian-Soviet painter Martiros Sarian, turned slightly to the left, rendered in high relief against a polished, darkened field. A small engraver's mark appears to the lower right of the portrait. The upper border carries the bilingual legend in Armenian script and Latin characters, reading ՄԱՐՏԻՐՈՍ ՍԱՐՅԱՆ and MARTIROS SARIAN respectively, while the artist's birth and death years 1880-1972 are inscribed in the lower exergue. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Martiros Sarian (1880–1972) was the dominant figure in Armenian visual art throughout the Soviet period, known internationally for his intensely saturated color work influenced by both Matisse and the landscapes of the Caucasus. He outlived Stalin and continued painting into extreme old age, dying at 92 with his reputation intact — a rare achievement for an artist who had navigated the full arc of Soviet cultural politics.
The Central Bank of Armenia issued several gold commemoratives in this period honoring Armenian cultural figures, part of a broader post-independence effort to establish a national numismatic identity distinct from Soviet-era coinage.