Catálogo
| Emissor | Venice, Republic of |
|---|---|
| Ano | 1675-1676 |
| Tipo | Standard circulation coin |
| Valor | 1 Zecchino (20) |
| Moeda | Lira (1618-1752) |
| Composição | Gold (.999) |
| Peso | 3.494 g |
| Diâmetro | 22 mm |
| Espessura | |
| Formato | Round |
| Técnica | |
| Orientação | |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | KM#344, Fr#1335, CNI VIII#51, Paol#1 |
| Descrição do anverso | St. Mark standing at left presenting staff with cross and DVX vertically at top to doge kneeling at right. |
|---|---|
| Escrita do anverso | Latin |
| Legenda do anverso | NICOL·SAGREDO S·M·VENET· DVX |
| Descrição do reverso | Full-length facing figure of Christ in beaded ellipse lined with stars. |
| Escrita do reverso | Latin |
| Legenda do reverso | SIT·T·XPE·DAT·Q·TV REGIS·ISTE·DVCA |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (1675-1676) - - |
| ID Numisquare | 8712248640 |
| Informações adicionais |
Historical Context: Nicolò Sagredo served as the 105th Doge of Venice from 1675 to 1676. This late 17th-century period saw the Republic's maritime power gradually decline amidst geopolitical shifts; Venice remained a significant hub. Sagredo's brief reign preceded the major Morean War. The Zecchino, renowned for its unwavering .999 gold purity and consistent design, symbolized Venice's enduring economic stability and commercial integrity.
Artistry: The Zecchino’s artistry under Doge Sagredo reflects deep adherence to centuries-old, standardized iconography, eschewing contemporary Baroque trends. No specific engraver is named; the Zecca’s master die-sinkers meticulously preserved the design. The obverse portrays St. Mark, Venice's patron, presenting the ducal banner to the kneeling Doge Sagredo, identifiable by his distinctive corno. The reverse consistently features Christ Pantocrator standing within a mandorla of twelve stars, a symbol of divine authority.
Technical/Grading: This gold Zecchino maintains the Venetian standard of .999 fineness and a precise 3.494-gram weight. Key high-points on the obverse include the Doge's corno, St. Mark's facial features, and banner details. On the reverse, Christ's facial expression, hands, and the twelve stars are crucial. Due to broad, thin flans and manual striking, outer legends can be weak, though central motifs are typically strong. Soft, high-purity gold often shows minor planchet imperfections or handling marks.