See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1 Yuan - Bank of Communications

Issuer Bank of Communications
Year 1927
Type Log in to see details
Value 1 Yuan (壹圎)
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering Log in to see details
Reverse description Denomination numeral '1' at centre within an intricate guilloche underprint, flanked by the value inscription 'ONE YUAN / NATIONAL CURRENCY' in a central panel. Black overprint 'WEIHAIWEI' appears at lower left and lower right; serial number, two manuscript signatures over printed titles (President and Manager), branch designation 'SHANTUNG', and date 'NOVEMBER 1ST 1927' appear across the lower portion, with the imprint 'AMERICAN BANK NOTE COMPANY' at the foot.
Reverse lettering BANK OF COMMUNICATIONS
1 YUAN
ONE YUAN NATIONAL CURRENCY
WEIHAIWEI
SHANTUNG
NOVEMBER 1ST 1927
AMERICAN BANK NOTE COMPANY
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

The Bank of Communications was technically a government-affiliated institution but operated with considerable commercial independence — a useful ambiguity that allowed it to issue notes alongside the older Bank of China without formally duplicating central banking functions. By 1927, that arrangement was becoming politically complicated as the Nationalist government consolidated control over China's financial institutions.

American Bank Note Company produced the bulk of the Bank of Communications series during this period, working from New York. ABNC's engraving quality on Chinese commission work from the 1920s is consistently high, and this series is no exception.

Circulated examples frequently show foxing and vertical fold fatigue — characteristic of how notes moved through southern provincial markets.

YOU MAY ALSO LIKE