目录
| 发行方 | Maingmaw, City of |
|---|---|
| 年份 | 501-600 |
| 类型 | Standard circulation coin |
| 面值 | |
| 货币 | |
| 材质 | Silver |
| 重量 | 9.49 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Rising sun with central pellet. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Stylized srivatsa temple with crude bhadrapitya to the left and an uncertain symbol to the right (perhaps very weak swastika). |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | Smooth. |
| 铸币厂 | |
| 铸造量 |
ND (501-600) - Probably 6th century - |
| Numisquare 编号 | 6866048090 |
| 附加信息 |
Historical Context: This '1 Unit' coin from the City of Maingmaw, dated 501-600 CE, offers a rare glimpse into a period of regional autonomy. Its issuance underscores Maingmaw's status as an independent polity, asserting economic sovereignty through its own mint. This era, marked by imperial fragmentation, saw many city-states establish distinct currencies for trade and local authority. The '1 Unit' denomination suggests a standardized system, reflecting a sophisticated administrative structure within Maingmaw during a pivotal early medieval transition.
Artistry: Lacking specific engraver details, the artistry of this '1 Unit' piece can be inferred from contemporary numismatic trends. City-state coinage of this era often featured designs rooted in local iconography or religious symbolism, executed by regional artisans. One might expect a stylized civic emblem—perhaps an animal, architectural feature, or an abbreviated inscription. The stylistic school would likely exhibit robust, pragmatic realism, prioritizing symbolic power and legibility over intricate detail, reflecting the practicalities of early medieval independent mints.
Technical/Grading: Struck in silver, this '1 Unit' coin weighs 9.49 grams, indicating substantial purchasing power. Numismatic evaluation would focus on flan quality, which for this period often exhibits irregularities in shape and thickness. The strike itself would be assessed for centering and completeness of the design impression; off-center strikes and weak areas are common. High points of the design, such as symbolic apexes or raised inscription edges, would be particularly susceptible to wear. The silver's fineness, though unspecified, is critical for intrinsic value and Maingmaw's economic stability.