カタログ
| 発行体 | Kyaikto region |
|---|---|
| 年号 | 1-100 |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | |
| 材質 | Gold |
| 重量 | 9.71 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Sankha (conch shell). |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Group of three jewels below the indrayasti. |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | Smooth. |
| 鋳造所 | |
| 鋳造数 |
ND (1-100) - 1st century - |
| Numisquare ID | 5495959870 |
| 追加情報 |
Historical Context: This rare gold 1 Unit coin originates from the Kyaikto region, part of the ancient Mon polities in lower Myanmar, dating to 1-100 CE. This period predates the full consolidation of major regional empires like Pagan, placing it within the era of early city-states often associated with the semi-mythical Suvarnabhumi or the emerging Dvaravati cultural sphere. The issuance of a standardized gold coinage of 9.71 grams, a weight consistent with early Indian suvarna standards, underscores a sophisticated economic system and robust trade networks, likely connecting coastal Mon settlements with India and other parts of Southeast Asia.
Artistry: The engraver of this ancient piece remains anonymous, a common characteristic of early regional coinages. Stylistically, the coin likely reflects a blend of indigenous Mon artistic traditions with significant influence from contemporary Indian art, particularly post-Gupta styles. A plausible design for this period might feature an auspicious symbol such as a stylized hamsa (mythical goose) or a srivatsa, often accompanied by Brahmi-derived script indicating a ruler or city-state. The execution would likely be robust, embodying local aesthetic preferences while conveying authority.
Technical/Grading: The weight of 9.71 grams suggests a carefully controlled production, aiming for a consistent standard. High-points for a typical design, such as a hamsa, would include the bird's breast, head, and the tips of its tail feathers, which would show the earliest signs of wear. Technically, these early gold issues often exhibit characteristics of hand-striking, including minor off-center strikes, slight planchet irregularities, and varying degrees of strike pressure, meaning some areas of the design may be less fully rendered than others, even on uncirculated examples. Luster, if present, would be subdued.