カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Obverse displays a large, plain raised pellet or boss at centre, surrounded by a wide, slightly irregular incuse or raised border ring, consistent with the aes grave casting tradition of Central Italy. The flan is thick and roughly circular, exhibiting a characteristic green patina with areas of reddish copper showing through. The design is minimal, reflecting the archaic, utilitarian aesthetic of early Roman and Italian bronze coinage of the third century BC. No legend or inscription is present. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Reverse displays a six-spoked wheel motif, a standard denominational symbol employed on Central Italian aes grave trientes of this period, rendered in bold, deeply incised lines radiating from a central hub to the rim. Four pellets, denoting the value of four unciae (one triens, or one-third of an as), would conventionally accompany this type, though surface wear renders them difficult to distinguish on this specimen. The design is boldly cast in the aes grave tradition, with the wheel filling most of the flan. No legend or inscription is present. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The triens, representing one-third of the as, was among the most practically useful denominations in the pre-reform Romano-Campanian bronze series. This piece belongs to a cluster of heavy aes grave issues attributed to an uncertain central Italian mint — the city remains unidentified despite over a century of scholarship, with Haeberlin, Crawford, and others unable to reach consensus. The dot system marking this fraction was common across multiple issuing authorities, which is precisely why attribution remains contested.
At over 108 grams, this falls within the heavier end of the libral standard before the gradual weight reductions that accelerated during the First and Second Punic Wars stripped these bronzes down dramatically.