Каталог
| Эмитент | Malay peninsula |
|---|---|
| Год | |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | |
| Состав | Tin |
| Вес | 6.08 g |
| Диаметр | 20.3 mm |
| Толщина | 3.3 mm |
| Форма | Round |
| Техника | |
| Ориентация | Coin alignment ↑↓ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера |
| Описание аверса | A `69` or a `690`, a worm or a snake |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | A Cross or a Sword |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | Plain |
| Монетный двор | |
| Тираж |
ND - 7th - 14th century - |
| ID Numisquare | 8242901240 |
| Дополнительная информация |
Historical Context: This 1 Tin Coin originates from the Malay Peninsula, a region historically rich in tin, which facilitated the widespread issuance of such coinage for local commerce. Issued by various sultanates from the 15th to the 19th centuries, these coins served as essential small change. Their circulation underscored local economic autonomy and trade, predating widespread colonial currencies. The "1 Tin Coin" denomination highlights its role as a fundamental unit in indigenous monetary systems.
Artistry: The artistry of Malay tin coinage is typically indigenous, often reflecting strong Islamic influences. Engravers were usually anonymous local artisans, focusing on functional and symbolic designs. Common motifs include simple Arabic script detailing denominations, rulers' names, or religious phrases, alongside stylized floral patterns or zoomorphic representations. This design simplicity often reflects the practicalities of the casting or rudimentary striking methods employed for these base metal issues.
Technical/Grading: Malay tin coins frequently exhibit characteristics of crude production, whether cast or struck. Planchets are often irregular in shape and thickness, and the soft nature of tin makes them susceptible to porosity, casting flaws, and weak strikes. Consequently, legends and designs can appear incomplete or indistinct. High points, such as the apex of script or raised elements of a motif, are often poorly defined. Grading accounts for these inherent production limitations, emphasizing legibility of key design elements and structural integrity.