Danh mục
| Đơn vị phát hành | Brandenburg-Bayreuth, Margraviate of |
|---|---|
| Năm | 1671 |
| Loại | Commemorative circulation coin |
| Mệnh giá | 1 Thaler |
| Tiền tệ | Thaler |
| Chất liệu | Silver |
| Trọng lượng | 29 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#80, Dav ST#6273 |
| Mô tả mặt trước | Two arms on crowned eagle. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | MEMORIA DOMIDUCTIONIS BRANDENBURG WIRTENBERGICÆ A MDCLXXI |
| Mô tả mặt sau | Sun and Venus above lion and virgo. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | NUNC SEQUITUR POSTHAC SEMPER COMITATUR EUNTEM |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
1671 - - |
| ID Numisquare | 1895564580 |
| Thông tin bổ sung |
Historical Context: This 1671 Thaler commemorates the first marriage of Christian Ernst, Margrave of Brandenburg-Bayreuth, to Erdmuthe Sophie of Saxony. Ruling from 1655 to 1712, Christian Ernst was a significant figure in post-Thirty Years' War Germany, known for absolutist policies and cultural patronage. This union represented a strategic political alliance, strengthening ties with the influential Electorate of Saxony. Marriage thalers of this era served as declarations of dynastic power and continuity, circulated among nobility and merchants.
Artistry: The coin exemplifies German Baroque numismatic art, a style prevalent in Central Europe during the late 17th century. While the specific engraver is not commonly documented, the design would have been executed by a skilled court artist. The obverse typically features conjoined busts of Christian Ernst and Erdmuthe Sophie, reflecting contemporary portraiture. The reverse often displays an elaborate composition of their combined dynastic coats of arms, intricate mantling, and inscriptions celebrating the union, all rendered with characteristic richness.
Technical/Grading: Struck in silver, this 29-gram thaler exhibits typical characteristics of 17th-century minting. High points susceptible to wear include the highest relief areas of the portraits, such as hair, earlobes, and cheekbones, as well as the crowns and intricate details of heraldic devices. A strong strike would show full detail, though often with weakness towards the rims due to manual striking. Original mint luster, though rare, would manifest as a cartwheel effect. Minor planchet imperfections or adjustment marks are common and expected for the period.