| Emitent | Brunswick-Lüneburg-Celle |
|---|---|
| Rok | 1617 |
| Typ | Standard circulation coin |
| Nominał | 1 Thaler |
| Waluta | Thaler |
| Skład | Silver |
| Waga | 29.06 g |
| Średnica | |
| Grubość | |
| Kształt | Round |
| Technika | |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | KM#8, Welter#920 |
| Opis awersu | Head right, hands below |
|---|---|
| Pismo awersu | Latin |
| Legenda awersu | È CHRISTIANUS · D : G : EL : EP : MIND : DUX · BR : ET · LU : |
| Opis rewersu | Helmeted arms |
| Pismo rewersu | Latin |
| Legenda rewersu | È ET · CONCORDIA · ANNO 1617 · IUSTITIA È |
| Krawędź | |
| Mennica | |
| Nakład |
1617 - - |
| ID Numisquare | 1785936120 |
| Dodatkowe informacje |
Historical Context: The 1 Thaler Freundschaftstaler, issued in 1617 by Christian, Bishop of Minden and Duke of Brunswick-Lüneburg-Celle, represents a fascinating intersection of secular and ecclesiastical power in early 17th-century Germany. Christian, a prominent Welf prince, skillfully navigated the complex political landscape preceding the Thirty Years' War. This "Friendship Thaler" likely served a diplomatic purpose, perhaps commemorating an alliance or fostering goodwill among Protestant states during a period of rising religious and political tensions, subtly reinforcing his dual authority and influence.
Artistry: While the specific engraver remains largely unrecorded, the coin exemplifies the robust German Renaissance and early Baroque numismatic style prevalent in the Brunswick mints. The obverse typically features a detailed, often armored, portrait of Christian, conveying his princely authority. The reverse invariably displays a complex armorial design, combining the ducal arms of Brunswick-Lüneburg with the diocesan arms of Minden, frequently accompanied by intricate legends or a specific motif alluding to "friendship" or alliance, executed with characteristic Germanic precision.
Technical/Grading: Struck in silver to a substantial weight of 29.06 grams, this Thaler demonstrates the considerable monetary standard of its era. High-point wear on the obverse typically manifests on Christian's hair, nose, and the highest points of his armor or episcopal mitre. On the reverse, the crowns atop the shields and the intricate details of the heraldic beasts are most susceptible to friction. A well-struck example will exhibit sharp details across the central devices and full legends, with minimal planchet imperfections common to 17th-century minting techniques.