カタログ
| 表面の説明 | Britannia seated on a bale facing left holding caduceus in her left hand and extending a palm branch in her right hand. A three-masted sailing ship on horizon at left. Lettering around, date in exergue |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | TRADE & NAVIGATION 1838 |
| 裏面の説明 | |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | PURE COPPER PREFERABLE TO PAPER· ONE STIVER |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
1838 - - |
| Numisquare ID | 4744342510 |
| 追加情報 |
Historical Context: The 1838 1 Stiver coin from Guyana represents a crucial period in the colony's history under British rule. Issued in the inaugural year of Queen Victoria's reign, this coinage marks the full implementation of the Emancipation Act throughout the British Empire, a momentous social and economic shift. British Guiana, formed from the former Dutch colonies of Essequibo, Demerara, and Berbice, retained the Dutch-derived "stiver" denomination, a testament to its colonial heritage. This coin was integral to the local economy, facilitating daily transactions during a time of significant demographic and labor restructuring following the abolition of slavery.
Artistry: The design of the 1838 1 Stiver reflects the neoclassical artistic conventions prevalent at the Royal Mint in London during the early Victorian era. While a specific engraver for this colonial issue is not explicitly documented, the stylistic characteristics are consistent with the work of prominent engravers like William Wyon. The obverse typically features a youthful, laureated or diademed bust of Queen Victoria, rendered with classical precision. The reverse design commonly displays the denomination "1 STIVER" and the date "1838," often surmounted by a crown, signifying its status as a British colonial issue. The overall aesthetic is one of dignified simplicity and clear legibility.
Technical/Grading: As a large copper issue, the 1838 Guyana 1 Stiver (14.0 grams, 33 mm) often exhibits characteristic strike qualities. High points susceptible to wear and weakness include the highest curls of Queen Victoria's hair, her ear, and the raised elements of the crown on the reverse. Due to the substantial planchet size and the striking pressures of the period, central details on both obverse and reverse can sometimes appear softly struck, even on uncirculated examples. Collectors should examine the sharpness of the lettering and the definition of the portrait's facial features to assess strike quality, with well-struck examples showing full detail across the flan.