カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The winged Lion of Saint Mark, nimbed and standing to the left in a heraldic posture, grasps a long ceremonial banner or gonfalon with both forepaws, the staff rising vertically through the field. The lion's body is rendered in a stylized Gothic manner, with the wings raised prominently behind. A beaded inner border frames the central device, with the surrounding legend invoking Saint Mark as patron of Venice in Latin capitals. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Francesco Dandolo's decade as Doge coincided with Venice's aggressive diplomatic rehabilitation after years of papal interdict — he personally crawled before Pope John XXII in 1327, earning the nickname "il Cane" (the Dog) from his own citizens for the humiliation. The soldino itself was Venice's workhorse small silver, circulating widely across the Adriatic trading network and frequently turning up in hoards from the eastern Mediterranean alongside coins of rival city-states.
CNI VII remains the primary reference, though attribution of individual dies within this reign is complicated by the type's long production run and Venice's habit of continuing designs across successive dogates.