Katalog
| Emittent | Banco Central de Reserva del Perú |
|---|---|
| Jahr | 2020 |
| Typ | Commemorative circulation coin |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A draped bust of Brígida Silva de Ochoa faces three-quarters left, rendered in high relief against a striated background suggestive of a modernist architectural motif. The subject is depicted wearing a pearl necklace and period costume, with her name 'BRIGIDA SILVA DE OCHOA' inscribed as a legend in the upper field. To the left, the vertical inscription 'BICENTENARIO 1821-2021' appears alongside a stylized sunburst ornament. The denomination '1 SOL' is prominently displayed in the lower portion of the field in large numerals and letters, with the Lima Mint monogram visible to the right of the effigy. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | BRÍGIDA SILVA DE OCHOA BICENTENARIO 1821-2021 LIMA 1 SOL (Translation: Brígida Silva de Ochoa Bicentennial 1821-2021 Lima 1 SOL) |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Part of Peru's "Riqueza y Orgullo del Perú" circulation series, this issue honors Brígida Silva de Ochoa, a nineteenth-century comedic actress widely considered the first great performer of the sainete criollo — a distinctly Peruvian form of short satirical theater rooted in Lima's working-class neighborhoods. She performed through the mid-1800s at a time when women on the Lima stage were still a relative novelty, and her name survived largely through oral tradition before institutional recognition caught up.