1 Silver Unit - Sri Ksetra Kingdom

Emitent Sri Ksetra Kingdom (Pyu city-states)
Rok 700-850
Typ Standard circulation coin
Nominał
Waluta
Skład Silver
Waga 6 g
Średnica 30 mm
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Coin alignment ↑↓
Rytownik(zy)
W obiegu do
Źródło(a)
Opis awersu Bhadrapitha in center with five lamps above, with dotted border around.
Pismo awersu
Legenda awersu
Opis rewersu Srivasta with nine pellets inside. A crescent moon and sun above, flanked by vajra (thunderbolt) to left and sankha (conch) to right. Water in front.
Pismo rewersu
Legenda rewersu
Krawędź Plain
Mennica
Nakład ND (700-850) - -
ID Numisquare 2611717740
Dodatkowe informacje

Historical Context: This 1 Silver Unit originates from the Sri Ksetra Kingdom, a prominent Pyu city-state flourishing between 700 and 850 CE. Located in what is now Myanmar, Sri Ksetra was a vital Buddhist center and a significant hub for regional trade, connecting India with Southeast Asia. This coinage represents the kingdom's economic autonomy and sophistication during its golden age, preceding its eventual decline around the mid-9th century. The issuance of standardized silver units underscores the kingdom's administrative capacity and robust commercial activities.

Artistry: While no specific engraver is attributed, the coin's design reflects the indigenous Pyu stylistic school, heavily influenced by Indian artistic traditions, particularly Gupta and post-Gupta aesthetics. The typical obverse features a prominent auspicious symbol such as the Srivatsa or a stylized rising sun, often encircled by a dotted border. The reverse commonly displays a temple or a wheel, sometimes accompanied by a Pyu script legend. These symbolic motifs convey religious and royal authority, embodying the kingdom's Buddhist identity and prosperity.

Technical/Grading: Struck on a broad, relatively thin silver flan of approximately 6 grams and 30 millimeters, this type often exhibits variable strike quality. High-points for preservation assessment typically include the central elements of the primary obverse motif (e.g., the Srivatsa's details or the sun's rays) and the finer elements of the reverse temple or wheel. Due to the ancient hammering techniques, specimens frequently display an uneven strike, potential off-centering, and areas of flatness, particularly towards the rim. Planchet irregularities and minor lamination are also common characteristics.

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