Danh mục
| Đơn vị phát hành | Meles |
|---|---|
| Năm | 216 BC - 210 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Sextans = ⅙ As |
| Tiền tệ | As (circa 216-210 BC) |
| Chất liệu | Bronze |
| Trọng lượng | 22.23 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | ICC#325, HN Italy#442, Haeberlin#p.176, Campana#2, Thurlow-Ve#269 |
| Mô tả mặt trước | Male head facing right with two dots behind. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | African elephant walking left. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | Smooth. |
| Xưởng đúc | |
| Số lượng đúc |
ND (216 BC - 210 BC) - - |
| ID Numisquare | 2188232440 |
| Thông tin bổ sung |
Historical Context: This 1 Sextans, issued by Meles between 216 and 210 BC, is a crucial numismatic record from the Second Punic War. Meles likely signifies a local magistrate or civic authority, possibly in Apulia, such as Brundisium. Issuing Roman denominations by non-Roman entities during this era underscores severe economic and political dislocations caused by Hannibal’s presence. Such issues often funded local defenses or maintained stability in regions caught between Carthaginian and Roman influence, reflecting complex allegiances and urgent necessities.
Artistry: The engraver remains anonymous, but this Sextans' artistry aligns with Hellenistic stylistic traditions prevalent in Southern Italy. Punic War coinage often blends local iconography with Roman denominational standards. Typical Sextans designs feature a deity's head on the obverse, often Jupiter or Mercury, rendered with robust, expressive quality. The reverse commonly depicts a ship's prow, a lion, or a significant local emblem, executed with varying sculptural relief, reflecting urgent production circumstances.
Technical/Grading: Struck in bronze, weighing 22.23 grams, this Sextans exhibits manufacturing qualities typical of South Italian bronzes from the late third century BC. High points for wear, depending on design, usually include the obverse deity's hair and facial features, and prominent elements of the reverse device. Flans often show irregular shapes and thicknesses. Strikes vary from well-centered to off-flan, with inconsistent pressure. These factors are crucial for assessing condition, alongside surface detail preservation and patination.