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1 Semuncia

Uitgever Uncertain city of Central Italy
Jaar 301 BC - 201 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Cast
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde A scarab beetle depicted in high relief at center, rendered in a schematic yet naturalistic style characteristic of Central Italian aes grave coinage. The beetle's carapace is prominently domed, occupying the majority of the flan. The surface is unadorned by legend or inscription, with the field left plain.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A sunburst motif composed of four broad, tapering rays radiating diagonally from a raised central boss, forming an X-shaped or saltire pattern in high relief. The rays are boldly cast and fill much of the irregular flan. No legend or inscription is present, and the field between the rays is flat and unadorned.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The semuncia denomination — worth half an uncia, one twenty-fourth of the as — occupied the lowest functional tier of the pre-denarius bronze coinage system of central Italy. Issues attributed to uncertain central Italian mints during this century reflect the broader fragmentation of monetary authority before Rome consolidated regional coinage under the denarius system introduced around 211 BC. Without a secure city attribution, this piece falls into a contested group that scholars have shuffled between Umbrian, Samnite, and Latin candidates across successive catalogues, with Haeberlin, Thurlow-Vecchi, and Sydenham each proposing different organizational schemes for the series.

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