目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Full-length standing figure of Saint Antoninus of Piacenza, patron and protector of the city, depicted facing front and holding a military pennant or standard in his right hand. The saint is rendered in elaborate period costume with fine detail. The circular legend ·S:ANTONIVS·M:PROT:PLAC· surrounds the figure, and the date flanked by the mintmaster's initials appears in the exergue, divided as *L·1628·X* (or corresponding year and initials for subsequent issues). A beaded border frames the entire design. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 1628 LX - - 1629 LX - - 1630 LX - - 1631 LF - - 1632 LF - - 1636 LF - - |
| 附加信息 |
Odoardo Farnese inherited Piacenza and Parma at age fifteen and spent much of his reign entangled in the disastrous Castro War, a territorial dispute with Pope Urban VIII that would eventually ruin the dynasty's finances and, a generation later, cost his son Ranuccio II the duchy's independence entirely. These scudi were struck during the relatively solvent years before that conflict ignited in 1641, when Farnese coffers could still support proper silver coinage at high fineness.
Piacenza's mint output across this period was never large. Surviving examples in problem-free condition are genuinely scarce.