1 Scudo d'oro - Johann Jakob Trivulzio

Emitent Lordship of Mesocco (Grisons)
Rok 1487-1518
Typ Standard circulation coin
Nominał 1 Scudo d'oro del sole (5)
Waluta Testone (1487-1549)
Skład Gold
Waga 3.4 g
Średnica
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) MIR LOM#972, CNI IV#3, HMZ 2#564
Opis awersu Finely beaded circle encloses a shield bearing three crosses, flanking are twin I's, each with three tiny crescents.
Pismo awersu Latin
Legenda awersu CRISTVS VINCIT
Opis rewersu Cross fleury in double circle.
Pismo rewersu Latin
Legenda rewersu CRISTVS REGNAT
Krawędź
Mennica Mesocco, Switzerland (1487-1518)
Nakład ND (1487-1518)
ID Numisquare 5936176313
Dodatkowe informacje

Historical Context: The 1 Scudo d'oro of Johann Jakob Trivulzio, issued by the Lordship of Mesocco (Grisons) from 1487-1518, is a significant artifact from the turbulent Italian Wars. Trivulzio, a celebrated condottiero and Marshal of France, acquired strategic Mesocco in 1487. His issuance of gold coinage, a rare privilege for such a lordship, powerfully asserted his wealth, military prestige, and sovereign ambition amidst shifting allegiances. This coin tangibly symbolizes his formidable influence in a complex era.

Artistry: The Scudo d'oro's design, though from a provincial mint, was influenced by Italian Renaissance numismatic trends. The obverse typically features the detailed Trivulzio family coat of arms—a shield with specific heraldic charges—or a stylized bust of Johann Jakob. The reverse commonly bears a religious motif, like a standing saint or a cruciform design, often with a mintmark or Latin inscription. Engraving, while less refined than major Italian centers, aimed for clear legibility and symbolic representation of authority.

Technical/Grading: Struck in gold at 3.4 grams, this hand-hammered coin exhibits characteristics typical of late medieval issues. High-points for wear or strike weakness are generally found on intricate heraldic details, like the crown or shield charges, or the highest relief of any portraiture. A well-preserved example displays a strong, even strike, retaining good original luster, and showing minimal evidence of planchet irregularities or off-centering, common in coinage from smaller mints of this era.

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