| Émetteur | Württemberg, County of |
|---|---|
| Année | 1423-1450 |
| Type | Standard circulation coin |
| Valeur | 1 Schilling (12) |
| Devise | Pfennig (1083-1494) |
| Composition | Silver |
| Poids | |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | KR#11.2 |
| Description de l’avers | Württemberg shielded arms within tenfoil. Legend surrounding. |
|---|---|
| Écriture de l’avers | Latin (uncial) |
| Légende de l’avers | |
| Description du revers | Flower cross with in the corners flowers with arrows and dots. |
| Écriture du revers | Latin (uncial) |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (1423-1450) - - |
| ID Numisquare | 1412124340 |
| Informations supplémentaires |
Historical Context: Louis I (Ludwig I) of Württemberg-Urach, initially a co-ruler, became sole Count of Württemberg in 1426. Following the 1442 Nürtingen Treaty, he was the first Count of Württemberg-Urach. This 1 Schilling, minted 1423-1450, reflects a pivotal era of political consolidation and princely power assertion within the Holy Roman Empire. Louis I’s reign focused on strengthening his domain, this coin serving as a vital medium for local commerce and a tangible symbol of his authority.
Artistry: The coin’s design exemplifies the Late Gothic numismatic style prevalent in 15th-century Central Europe. While engraver is anonymous, the obverse typically features a stylized bust of Count Louis I, often in profile, adorned with a crown or cap. The reverse commonly displays a prominent cross or the distinctive Württemberg antlers, a key heraldic device. Latin legends encircle these motifs, clearly stating ruler’s name and title, executed with functional legibility.
Technical/Grading: Characteristic of 15th-century minting, this silver Schilling often exhibits variable strike quality. Optimal preservation is observed on high-points like the ruler’s facial features (e.g., nose, crown) and central elements of the reverse cross or antlers. Strikes can be uneven, leading to flatness, particularly towards flan edges, or slight off-centering. Planchet irregularities, including minor lamination or inconsistent thickness, are also common, reflecting manual production.