| Emitent | Herat |
|---|---|
| Rok | 1829-1839 |
| Typ | Standard circulation coin |
| Hodnota | 1 Rupee |
| Měna | Local Rupees (1747-1891) |
| Složení | Silver |
| Hmotnost | 10.09 g |
| Průměr | 20.5 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | KM#403 |
| Popis líce | |
|---|---|
| Písmo líce | Arabic |
| Opis líce | |
| Popis rubu | |
| Písmo rubu | Arabic |
| Opis rubu | |
| Hrana | Plain |
| Mincovna | |
| Náklad |
1244 (1829) - - 1245 (1830) - - 1246 (1831) - - 1248 (1833) - - 1249 (1834) - - 1251 (1836) - - 1252 (1837) - - 1254 (1838) - - 1255 (1839) - - |
| ID Numisquare | 1110253980 |
| Další informace |
Historical Context: This 1 Rupee coin was issued by Kamran Shah Durrani, the last independent ruler of Herat, during a tumultuous period (1829-1839). Herat, a strategically vital city, faced constant threats from Persia and internal factionalism, yet maintained its minting prerogative. This act underscored its semi-autonomous status and economic resilience amidst the broader decline of the Durrani Empire. The coin reflects the political instability and the ongoing struggle for regional dominance before significant British influence in Afghanistan.
Artistry: Afghan coinage of this era, including Kamran Shah's issues, adheres to traditional Islamic aniconic principles. Specific engraver signatures are virtually unknown for this period and region. The artistry is primarily expressed through the elegance and legibility of the calligraphic legends, typically in Nastaliq or Naskh script, which convey the ruler's name, mint, and date. The arrangement of these legends within the circular field constitutes the principal aesthetic consideration, emphasizing clarity over elaborate ornamentation or figural representation.
Technical/Grading: For this type, high-points for grading include the clarity and completeness of the central legends, particularly the ruler's name (Kamran Shah) and the mint (Herat). Due to manual striking methods, central weakness is common; a strong, even strike across the entire flan is a premium attribute. Examine the planchet for regularity, as irregular flans, minor clips, and laminations are frequently encountered. Wear is typically observed on the raised elements of the calligraphy. Die cracks and minor striking defects are characteristic and often tolerated within grading standards for these issues.