1 Rupee - Himayat Khan Qamarnagar

发行方 Princely state of Hyderabad
年份 1143 (1719-1747)
类型 Standard circulation coin
面值 1 Rupee
货币 Rupee (1762-1950)
材质 Silver
重量 11.48 g
直径 21.19 mm
厚度
形状 Round
制作工艺 Hammered
方向
雕刻师
流通至
参考资料
正面描述
正面文字
正面铭文
背面描述 Inscription: mint name, Regnal Year
背面文字
背面铭文
边缘
铸币厂
铸造量 ND (1719-1747) - AH 114x / RY#13
ND (1719-1747) - AH 114x / RY#14
ND (1719-1747) - AH 11xx / RY#15
1143 (1730) - RY#12
Numisquare 编号 1147670146
附加信息

Historical Context: This 1 Rupee coin, minted in 1143 AH (corresponding to 1730-1731 CE), originates from the Princely State of Hyderabad during a pivotal era in Indian history. It was issued under the authority of Nizam-ul-Mulk, Asaf Jah I, the founder of the Asaf Jahi dynasty, who effectively declared Hyderabad's independence from the weakening Mughal Empire. The mint name 'Himayat Khan Qamarnagar' likely refers to a significant regional mint, possibly Aurangabad or Arcot, reflecting the Nizam's expanding territorial control and the establishment of distinct regional coinage within the broader Mughal numismatic tradition.

Artistry: The coin's design adheres to the established Indo-Islamic numismatic tradition prevalent in the Deccan. While the specific engraver remains anonymous, the stylistic school is characterized by elegant Nastaliq script, typical of late Mughal and early Asaf Jahi coinage. The obverse would typically bear the name and titles of the reigning Mughal Emperor, Muhammad Shah, alongside the Hijri year. The reverse features the mint epithet 'Himayat Khan Qamarnagar' and the regnal year, often accompanied by the 'Julus Maimanat Manus' formula, signifying auspicious accession and minting at the seat of prosperity.

Technical/Grading: Struck in silver, weighing 11.48 grams and measuring 21.19 millimeters, this rupee exhibits standard specifications for the period. High-points for technical evaluation include the clarity and completeness of the central inscriptions, particularly the Emperor's name and the mint name. Due to the manual striking process, minor off-centering and areas of weaker strike are common, but a well-centered specimen with sharp details across the calligraphic elements, especially the diacritics and dots, would command a premium. The flan integrity and absence of significant planchet flaws are also key grading considerations.

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