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| Emittent | National Bank of the Republic of Belarus |
|---|---|
| Jahr | 2001 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | At center, a detailed relief depiction of the Kamyanetskaya Vezha (Tower of Kamenets), a 13th-century cylindrical defensive tower. A decorative cartouche in the form of an ancient seal bears the Roman numeral XIII, denoting the century of the tower's construction. The upper legend, arranged in three lines, reads ПОМНIКI АРХIТЭКТУРЫ БЕЛАРУСI (Belarusian Architectural Monuments), while the lower inscription КАМЯНЕЦКАЯ ВЕЖА (Kamyanetskaya Vezha) identifies the depicted monument. |
| Reversschrift | Cyrillic |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Kamenets Tower — locally called the Bela Vezha, or White Tower, despite its brick being distinctly red — was built around 1271 by a Volhynian master builder named Aleksa, on the orders of Prince Vladimir Vasilkovich. It survived the medieval period largely intact, an unusual fate for a structure in a region repeatedly crossed by armies from every direction. Belarus launched its architectural monuments circulation series in the early 2000s partly to assert a distinct national heritage separate from the Soviet institutional identity, and the Tower was an early and deliberate choice.