| İhraççı | Correggio |
|---|---|
| Yıl | 1569-1580 |
| Tür | Standard circulation coin |
| Değer | 1 Quattrino |
| Para birimi | Scudo |
| Bileşim | Billon |
| Ağırlık | 0.39 g |
| Çap | 14 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Coin alignment ↑↓ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | CNI IX#220/224 |
| Ön yüz açıklaması | Circular legend surrounded by beading, mitred bust of Saint Quirinus facing. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | S QVIR EPS CORR P |
| Arka yüz açıklaması | Leafy cross that occupies the entire field. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1569-1580) - - |
| Numisquare Kimliği | 1570864040 |
| Ek bilgiler |
Historical Context: This 1 quattrino, anonymously issued by Counts Gilbert, Camille, and Fabrice de Correggio (1569-1580), reflects a period of shared rule within the Correggio lordship. As an imperial fief, Correggio navigated complex late Renaissance Italian politics. The anonymous, low-denomination billon coin suggests pragmatic monetary policy, simplifying production and signifying collective authority. This quattrino was crucial for daily commerce, underscoring its utilitarian role in the local economy and reflecting the economic needs of the state.
Artistry: The anonymous nature, small dimensions (14mm), and billon composition of this quattrino dictated a design prioritizing functional identification over elaborate artistry. No specific engraver is recorded; the coin adhered to prevailing late Renaissance Italian stylistic conventions for small change, emphasizing clarity. Designs typically featured simplified heraldic devices of the Correggio family, a cross, or a monogram, executed directly due to the limited flan size and high-volume production for circulation.
Technical/Grading: Due to its billon composition and diminutive size (0.39g, 14mm), this 1 quattrino typically exhibits considerable strike variability. High points, like central devices or raised lettering, are often weakly struck or prone to rapid wear. Planchet imperfections, including irregular shapes or surface flaws, are common. Off-center strikes and uneven metal flow frequently obscure design details. The billon alloy also produces a less crisp impression, contributing to the utilitarian aesthetic and technical characteristics of these anonymous issues.