1 Quartarolo - Reniero Zeno

صادرکننده Venice, Republic of
سال 1253-1268
نوع Standard circulation coin
ارزش 1/2 Obol (1⁄960)
واحد پول Lira (1156-1471)
ترکیب Billon
وزن 0.9 g
قطر 16 mm
ضخامت
شکل Round (irregular)
تکنیک Hammered
جهت
حکاک(ها)
در گردش تا
مرجع(ها)
توضیحات روی سکه `V • N • C • E •` inside a circle.
خط روی سکه
نوشته‌های روی سکه + • RA • GENO • DVX • V • N • C • E •
توضیحات پشت سکه Cross inside a circle.
خط پشت سکه
نوشته‌های پشت سکه + • S • MARCVS •
(Translation: Saint Marcus)
لبه
ضرابخانه
تیراژ ضرب ND (1253-1268) - -
شناسه Numisquare 6978664560
اطلاعات تکمیلی

Historical Context: The 1 Quartarolo of Reniero Zeno (1253-1268) emerged during a pivotal era for the Republic of Venice. Zeno's dogeship followed the Fourth Crusade, a period of immense Venetian commercial and territorial expansion in the Eastern Mediterranean. His reign saw the first major conflict with Genoa. The Quartarolo, a small billon denomination, was introduced to facilitate daily transactions, reflecting the burgeoning complexity of Venetian trade and economy during this period of unparalleled prosperity.

Artistry: The engraver of this Quartarolo remains anonymous, typical for medieval Venetian coinage. Stylistically, it belongs to the early medieval Italian school, characterized by functional rather than elaborate design, often with crude execution due to its small size. The obverse typically features a stylized cross, a common motif for fractional denominations, surrounded by the Doge's name. The reverse usually displays a simplified bust of Saint Mark, Venice's patron saint, or his name, reflecting the Republic's deep civic identity.

Technical/Grading: Given its billon composition and small 16mm diameter, the Quartarolo often exhibits variable strike quality. High-points for the cross design would be its center and arm terminals; for Saint Mark, facial features and halo, though frequently indistinct. Technical strike qualities commonly include irregular flans, off-center strikes, and weak legends, especially towards the periphery. Rapid production of these fractional pieces often resulted in inconsistent metal flow and die impressions, making well-centered, fully struck examples with clear details quite scarce.

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