カタログ
| 発行体 | Zanzibar |
|---|---|
| 年号 | 1882 |
| 種類 | Coin pattern |
| 額面 | 1 Pysa (1⁄136 ZZY) |
| 通貨 | Ryal (1882-1908) |
| 材質 | Nickel |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#Pn2 |
| 表面の説明 | Sultan |
|---|---|
| 表面の文字体系 | Arabic |
| 表面の銘文 |
الله سلطان سعيد بن برغش بن سلطان حڢظه (Translation: Sultan Sa`id bin Bargash bin Sultan May Allah (God) save him) |
| 裏面の説明 | Scales with date in between |
| 裏面の文字体系 | Arabic |
| 裏面の銘文 |
١٢٩٩ (Translation: 1299) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1299 (1882) - ١٢٩٩ Specimen - |
| Numisquare ID | 5144232260 |
| 追加情報 |
Historical Context: The 1882 1 Pysa pattern coin emerges from the reign of Sayyid Barghash bin Said al-Busaidi, Sultan of Zanzibar (1870-1888). This era marked a pivotal period for the Sultanate, a thriving East African trade empire grappling with increasing European colonial encroachment, particularly from Britain and Germany. Barghash was a progressive ruler, initiating significant infrastructure projects and seeking to modernize his state. This pattern issue represents an early, albeit unadopted, attempt to reform Zanzibar's currency system, reflecting the Sultan's vision for a more formalized and distinct monetary identity amidst shifting geopolitical landscapes.
Artistry: While the specific engraver remains unrecorded, the design likely originated from a European mint, a common practice for non-European states seeking modern coinage in the late 19th century. The stylistic approach blends traditional Islamic calligraphy, prominently featuring the Sultan's name and the Hijri date, with the structured, industrial aesthetic typical of European commercial coinage of the period. The layout emphasizes clarity and legibility, ensuring the coin’s function as a clear medium of exchange, despite its pattern status. The absence of complex figural representations adheres to Islamic artistic traditions.
Technical/Grading: Struck in nickel, a material gaining prominence in late 19th-century coinage, this pattern piece exhibits specific technical qualities. High-points for evaluation typically include the intricate details of the Arabic script and any surrounding decorative elements, where full separation of characters and sharp definition are paramount. As a pattern, examples are often struck with exceptional care, aiming for perfection to showcase the proposed design. A strong strike would reveal crisp legends and a smooth, even surface, free from the common planchet flaws sometimes seen in circulating issues, though nickel can present its own striking challenges.