Catalog
| Issuer | Rhodesia (1964-1979) |
|---|---|
| Year | 1966 |
| Type | Non-circulating coin |
| Value | 1 Pound |
| Currency | Pound (1964-1970) |
| Composition | Gold (.916) |
| Weight | 7.99 g |
| Diameter | 22 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | Obverse: Arnold Machin Reverse: Tommy Sasseen |
| In circulation to | |
| Reference(s) | KM#6, Schön#45 |
| Obverse description | Queen Elizabeth II bust with tiara right |
|---|---|
| Obverse script | Latin |
| Obverse lettering | ELIZABETH THE SECOND |
| Reverse description | Lion divides date, name above, denomination below |
| Reverse script | Latin |
| Reverse lettering | RHODESIA 19 66 T.S. ONE POUND |
| Edge | |
| Mint | |
| Mintage |
1966 - Proof - 5 000 |
| Numisquare ID | 2167122610 |
| Additional information |
Historical Context: The 1966 Rhodesian One Pound gold coin, featuring Elizabeth II’s second portrait, emerged from a state in profound political transition. Struck a year after Rhodesia’s Unilateral Declaration of Independence (UDI) in 1965, this coin represents a bold assertion of sovereignty by the de facto Rhodesian government. Its issuance in gold, despite international non-recognition and sanctions, underscored a symbolic defiance and an attempt to maintain economic legitimacy.
Artistry: The obverse proudly displays Arnold Machin’s acclaimed second portrait of Queen Elizabeth II, a dignified and realistic crowned effigy. This widely adopted mid-20th century stylistic representation emphasizes clarity and regal simplicity. The reverse features the meticulously rendered Rhodesian coat of arms, a powerful national symbol incorporating a pick, axe, and a lion, encircled by the denomination "ONE POUND" and the date "1966". These elements convey national identity and historical continuity.
Technical/Grading: Struck in .916 fine gold, weighing 7.99 grams and 22 mm, this coin generally exhibits a sharp strike typical of precious metal issues. Key high-points for grading include the intricate details of the Queen’s crown and hair on the obverse, and on the reverse, the fine lines of the lion’s mane and the eagle’s feathers. Collectors should seek examples with full luster and minimal bag marks, particularly on the fields, for optimal appreciation.