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1 Pound
| Emittent | Central Bank of Cyprus |
|---|---|
| Jahr | 1982-1985 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | 2007 |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | ΚΕΝΤΡΙΚΗ ΤΡΑΠΕΖΑ ΤΗΣ ΚΥΠΡΟΥ KIBRIS MERKEZ BANKASI ΜΙΑ ΛΙΡΑ BIR LIRA ΔΙΟΙΚΗΤΗΣ-MÜDÜR |
| Rückseitenbeschreibung | The central vignette presents an intaglio view of Bellapais Abbey, the celebrated Gothic monastery in northern Cyprus, rendered in fine line engraving with arched colonnades and ruined walls set amid a formal garden. Three decorative rosette medallions are arranged in a row at the upper right, and a large blank oval watermark window occupies the lower right. The bank title CENTRAL BANK OF CYPRUS arches across the top, with the denomination ONE POUND at the foot. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Cyprus joined the Exchange Rate Mechanism in 1992, but this note was already a decade old by then — issued during the years when the pound was pegged to a basket of currencies and the Central Bank was quietly building the institutional credibility it would need for eventual EU accession. The 1 Pound was the workhorse denomination of everyday Cypriot commerce in this period, and De La Rue's involvement ensured consistent quality through a run that stretched across four printing years.
P#50A is known to show minor plate wear in later printings, affecting fine-line detail in the guilloche work — worth examining under magnification when assessing higher-grade examples.