1 Pitis - Khalifat al-Karim

発行体 Kelantan, Sultanate of
年号 1880
種類 Standard circulation coin
額面 1 Pitis (0.1)
通貨 Keping (1801-1909)
材質 Tin
重量 3.65 g
直径 28 mm
厚さ
形状 Round with a round hole
製造技法
向き
彫刻師
流通終了年
参考文献 Singh#SS 72
表面の説明 Arabic inscription (Jawi script) surrounding circular hole. Base to edge, read clockwise.
表面の文字体系 Arabic
表面の銘文 ال سلطان ال فطاني ؁١٢٩٧
(Translation: The Sultan of Patani, year 1297)
裏面の説明 Arabic inscription (Jawi script) surrounding circular hole. Base to edge, read clockwise.
裏面の文字体系 Arabic
裏面の銘文 وخليفت الكرم
(Translation: and the Caliphate of The Generous)
Plain
鋳造所
鋳造数 1297 (1880) - 1879/1880 -
Numisquare ID 1487519570
追加情報

Historical Context: The 1880 1 Pitis, bearing the honorific Khalifat al-Karim, was issued by the Sultanate of Kelantan under Sultan Muhammad III (r. 1870-1889). This era marked a period of evolving political dynamics in the Malay Peninsula, with increasing British influence while local rulers, like Muhammad III, sought to maintain sovereignty and traditional Islamic governance. The issuance of coinage like this pitis underscored Kelantan's economic autonomy and the Sultan's religious authority as "The Noble Caliph" in his domain, serving as a vital medium of exchange for the local populace.

Artistry: The engraver for this tin pitis was likely a local artisan, working within the established Islamic calligraphic tradition prevalent in Southeast Asian numismatics. The design adheres to aniconic principles, featuring elegant Arabic script, likely in a naskh or thuluth style, which would have identified the ruler's title, "Khalifat al-Karim", and possibly the date or mint. The overall aesthetic emphasizes legibility and the spiritual authority conveyed through the written word rather than elaborate pictorial representations, reflecting the cultural and religious values of the Sultanate.

Technical/Grading: Struck in tin, a relatively soft metal, the 1 Pitis typically exhibits varying strike qualities. High-points susceptible to wear or weakness include the central elements of the Arabic calligraphy, particularly the ascenders and descenders, and any fine details in the border. Examples with strong, well-centered strikes showing full detail on both sides are uncommon. Planchet quality can also vary, presenting minor imperfections or unevenness, which are common characteristics for regional issues of this period and should be considered during grading.

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