1 Pice Bronze Pattern

Emisor India
Año 1949
Tipo Coin pattern
Valor 1 Pice (1⁄64)
Moneda Rupee (1950-1957)
Composición Bronze
Peso 0.67 g
Diámetro 10.5 mm
Grosor
Forma Round
Técnica
Orientación Medal alignment ↑↑
Grabador(es) Patrick Brindley
En circulación hasta 1 April 1957
Referencia(s)
Descripción del anverso Ashoka Lion Capital Encircled with `Government of India`. Star at the bottom.
Escritura del anverso Latin
Leyenda del anverso GOVERNMENT . OF . INDIA ★
Descripción del reverso Value (1 Pice) in Center, flanked by Corn as an agricultural motif. INDIA above, date below and Pice in Hindi and Urdu on Right and Left respectively.
Escritura del reverso
Leyenda del reverso INDIA एक पैसा, ایک پیسہ 1 PICE 1949
(Translation: 1 Pice (Hindi and Urdu))
Canto
Casa de moneda
Tirada 1949 - Rejected Pattern -
ID de Numisquare 2271849960
Información adicional

Historical Context: This 1949 1 Pice bronze pattern represents a pivotal moment in Indian numismatic history, marking the immediate post-independence era. Issued two years after India gained independence in 1947 and just prior to its declaration as a republic in 1950, this pattern served as a crucial experimental piece for the new nation's currency. It symbolizes India's transition from a colonial monetary system to establishing its own distinct numismatic identity, free from imperial iconography.

Artistry: While the specific engraver remains unrecorded, this pattern's design reflects a nascent independent Indian stylistic school. The obverse would feature the Ashoka Lion Capital, the newly adopted national emblem, symbolizing sovereignty and righteousness. The reverse would display the denomination "1 Pice" in both English and Devanagari script, often with the year. This design marked a deliberate departure from British monarch effigies, embracing indigenous symbolism for a modern, self-governing India.

Technical/Grading: Struck in bronze with a diminutive 10.5 mm diameter and weighing 0.67 grams, this pattern demands a precise strike for full detail. Key high-points for evaluation include the intricate features of the lions' manes and faces on the Ashoka Capital, and the spokes of the Dharma Chakra. On the reverse, clarity of the numeral "1" and the fine lines of the Devanagari script are critical. Patterns often exhibit superior strike quality compared to circulation issues, sometimes on specially prepared planchets, showcasing crispness in such a small module.

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