Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

1 Piastre

Uitgever Banque de l'Indochine
Jaar 1942-1945
Type Log in om details te zien
Waarde 1 Piastre (1 ICFP)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde BANQUE DE L'INDOCHINE UNE PIASTRE TRAN-TANLOC DEL IDEO-HANOI
Beschrijving keerzijde Printed in blue and black on a guilloche underprint, the reverse centres on a vignette of a standing Khmer or Hindu deity figure set within an elaborate architectural surround, flanked by two large circular guilloche medallions each bearing the numeral '1'. Chinese characters reading '壹元' and the bank name in Chinese appear in the left medallion, while Khmer script occupies the right medallion. The Vietnamese header 'GIAY MOT DONG VANG' runs across the top, and a legal warning in French is printed below the central vignette.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

This note was produced locally in Hanoi because the Japanese occupation of French Indochina severed normal supply lines to metropolitan French printers. The Imprimerie d'Extrême-Orient, a commercial press not purpose-built for currency production, had to substitute — resulting in printing quality noticeably inferior to prewar Banque de l'Indochine issues from Paris or Bordeaux.

Trần Tấn Lộc's involvement as designer marks one of the very few instances in the colonial series where a Vietnamese artist received formal credit on a currency commission. The wartime date range reflects the Vichy administration's continued operation of the bank under Japanese oversight until the March 1945 coup de force, when Japan formally dissolved French colonial authority in Indochina.

MISSCHIEN OOK INTERESSANT