目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Central field features the quartered arms of the Archbishopric of Salzburg — a divided shield bearing the Salzburg lion and episcopal insignia — set within an ornamental wreath of laurel or olive branches. The mintmark letters 'S' and 'B' appear in the lower field, flanking the base of the shield, denoting the Salzburg Mint. The overall design is rendered in a modest, utilitarian style consistent with small copper coinage of the late Holy Roman Empire period. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hieronymus von Colloredo is remembered less for his coinage than for his prolonged, acrimonious employment dispute with a certain court musician he dismissed in 1781 — Wolfgang Amadeus Mozart, who left Salzburg in a fury and never returned. Colloredo ruled the archbishopric from 1772 until Napoleon's forces secularized it in 1803, making this 1792 pfennig a product of one of the last decades of ecclesiastical coinage from Salzburg before the entire structure of prince-archbishopric governance collapsed.
Zöttl 3390 places this among the minor copper issues of his final decade in power.