کاتالوگ
| صادرکننده | Corvey, Abbey of |
|---|---|
| سال | 1223-1253 |
| نوع | Standard circulation coin |
| ارزش | 1 Pfennig |
| واحد پول | Pfennig (833-1540) |
| ترکیب | Silver |
| وزن | 1.16 g |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Weing Corvey#23 var. |
| توضیحات روی سکه | Facing bust of St. Vitus. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | +SCS VITVSMO |
| توضیحات پشت سکه | Double-lined cross with in the angles four-leaf clovers. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | SCS DEPHAVS |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1223-1253) - - |
| شناسه Numisquare | 7617603650 |
| اطلاعات تکمیلی |
Historical Context: This 1 Pfennig coin was issued by the Abbey of Corvey during the tenure of Abbot Hermann I of Holte, who presided from 1223 to 1253. Corvey, an Imperial Abbey, wielded significant temporal power within the Holy Roman Empire, acting as a sovereign principality. The right to mint coinage, a vital regalian privilege, underscored the Abbot's authority and the Abbey's economic independence. These small silver denominations were essential for facilitating local commerce and asserting the Abbey's influence in its territorial domains during a period of evolving feudal structures.
Artistry: While the specific engraver remains anonymous, typical for medieval coinage, this Pfennig reflects the transitional artistic styles of the High Middle Ages, moving from Romanesque rigidity towards early Gothic naturalism, albeit in a highly simplified form suitable for small-denomination dies. The design, likely featuring a stylized bust of Abbot Hermann I or a symbolic representation of Corvey, would have been executed with direct, robust lines. The "mm" in the reference may denote a specific mint or die variant, indicative of the internal production processes.
Technical/Grading: Struck from silver on a planchet weighing 1.16 grams, this coin exemplifies medieval hammered coinage. High-points for wear or strike weakness would typically be the raised features of the abbot's headwear or facial details, and any prominent lettering. Technical strike qualities often vary considerably; hand-striking methods frequently resulted in off-center strikes, uneven pressure leading to areas of flatness, and irregular planchet shapes. Collectors should examine the clarity of the central design elements and the legibility of any legends.