1 Pfennig

発行体 Münster, Cathedral chapter of
年号 1661-1707
種類 Standard circulation coin
額面 1 Pfennig (1⁄288)
通貨 Thaler
材質 Copper
重量 1.24 g
直径 17.5 mm
厚さ 0.85 mm
形状 Round
製造技法
向き Medal alignment ↑↑
彫刻師
流通終了年
参考文献 KM#416
表面の説明 Full-length facing figure of St. Paul divides S-P near bottom.
表面の文字体系 Latin
表面の銘文 M: CATHED: ECCL: MONASTA
裏面の説明 Large `I` divides date in wreath
裏面の文字体系 Latin
裏面の銘文 I 1707
鋳造所
鋳造数 1661 - Weing. 48 -
1699 - Weing. 49 -
1707 - Weing. 50 -
Numisquare ID 1739177760
追加情報

Historical Context: This 1 Pfennig coin was issued by the Cathedral chapter of Münster, a significant ecclesiastical principality within the Holy Roman Empire, during the period 1661-1707. This era spanned the reigns of several Prince-Bishops, including the formidable Christoph Bernhard von Galen and later Friedrich Christian von Plettenberg. The chapter's authority to mint low-denomination copper coinage like this Pfennig highlights its crucial role in the economic administration of the territory, providing essential currency for local commerce and daily transactions in the post-Thirty Years' War period of rebuilding and economic stabilization.

Artistry: The specific engraver for this common 1 Pfennig issue is typically unrecorded, consistent with most fractional copper coinage of the 17th and early 18th centuries. Stylistically, the coin would reflect the prevailing Baroque aesthetic, albeit simplified due to its small module and utilitarian purpose. Designs for such denominations commonly featured a central motif, such as a cross, the arms of the Cathedral chapter, or a clear legend, prioritizing legibility and practical identification over intricate artistic detail. The execution is generally robust, characteristic of the period's functional coinage.

Technical/Grading: For this copper 1 Pfennig, key high-points prone to wear would typically be the central design elements, such as the highest relief of any cross or shield, and the outer extremities of any legends. Technical strike qualities often vary significantly due to the hand-striking methods of the era. Collectors can anticipate potential planchet irregularities, minor off-centering, and inconsistent striking pressure, leading to areas of weaker detail. Given copper's softness, original luster is rarely encountered, and fine details are susceptible to wear, making well-preserved, high-grade examples quite uncommon.

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