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| Uitgever | Central Bank of the Philippines |
|---|---|
| Jaar | 1969 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Copper |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This copper striking is a pattern produced during the Central Bank's redesign deliberations in the late 1960s, when the Philippines was evaluating a new circulating peso series that would eventually be issued in nickel-brass. Aguinaldo, who had died just eight years earlier in 1964 at the age of 94, was still a politically charged figure — his collaboration record during the Japanese occupation remained openly debated, and placing him on a circulating coin was not without controversy.
The copper composition was ultimately rejected in favor of more practical alloys. Few pattern strikes are documented, and most known examples passed through a small number of Philippine collector estates before reaching the international market.