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| 表面の説明 | Black on green underprint. At left, a vignette of a young girl's portrait with the numeral 1 below; at centre, the numeral 1 above the word UNO, which in turn surmounts the Chilean Coat of Arms. The overall layout is typical of Bradbury Wilkinson engraved issues of the period, with fine guilloche work framing the central and lateral elements. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed in green. The reverse is divided into three panels separated by intricate guilloche borders, with a portrait vignette in each of the two lateral panels and the word UNO in large letters within an ornate cartouche at the centre. Numeral 1 counters appear at each corner within circular lathe-work medallions. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
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Banco de A. Edwards y Cía. was one of the private Chilean banks authorized to issue currency under the 1860 Ley de Bancos, which allowed commercial houses to print their own notes provided they maintained metallic reserves. The Edwards family banking empire — built on mining and commercial wealth in Atacama — was among the most financially powerful in nineteenth-century Chile, and their notes circulated widely in the north.
Bradbury Wilkinson engraved and printed the series in London, as was standard practice for Chilean private bank issues of this period. The plates were typically reused across denominations with only the value changed.