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| 表面の説明 | An oval portrait vignette of José Martí occupies the centre of the note, his name inscribed beneath the likeness; the issuer title BANCO NACIONAL DE CUBA is arched across the top, while the face value in words is positioned to the left. The note is printed in olive green with serial numbers rendered in red, and a lengthy guarantee inscription runs along the lower portion of the design. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | REPUBLICA DE CUBA ENTRADA A LA HABANA 8 DE ENERO DE 1959 1 1 ESTE BILLETE TIENE CURSO LEGAL Y FUERZA LIBERATORIA ILIMITADA, DE ACUERDO CON LA LEY, PARA EL PAGO DE TODA OBLIGACIÓN CONTRAÍDA O A CUMPLIR EN EL TERRITORIO NACIONAL. (Translation: Republic of Cuba Entrance to Havana, January 8th, 1959 1 1 This note is legal tender and has unlimited liberatory force, in accordance with the law, for payment of all obligations, contracted or to be fulfilled, on the whole national territory.) |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Cuba's shift to Czechoslovak printing after the Revolution was a direct consequence of the US trade embargo and the broader reorientation toward the Eastern Bloc. The Státní Tiskárna Cenin in Prague became the primary supplier of Cuban banknotes for decades, and the relationship was extensive enough that Cuban currency design during this period bears the visual fingerprints of Socialist-era central European printing conventions — clean intaglio work, flat color fills, heavy serif typography.
The P#102 series ran across an unusually long span for a low denomination, reflecting the relative monetary stability Cuba maintained through rationing and price controls rather than open-market currency pressure. Inflation that would have forced a reissue elsewhere was suppressed administratively.