Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos oder mit E-Mail registrieren

1 Peseta

Emittent Banco de España
Jahr 1945
Typ Anmelden um Details zu sehen
Nennwert Anmelden um Details zu sehen
Währung Anmelden um Details zu sehen
Material Anmelden um Details zu sehen
Größe Anmelden um Details zu sehen
Form Anmelden um Details zu sehen
Druckerei Anmelden um Details zu sehen
Designer Anmelden um Details zu sehen
Stecher José Luis López Sánchez-Toda
Im Umlauf bis Anmelden um Details zu sehen
Referenz(en) Anmelden um Details zu sehen
Vorderseitenbeschreibung Brown intaglio print over a multicolour guilloche underprint, with red serial numbers. Central vignette presents a half-length portrait of Queen Isabella I of Castile facing right. The border incorporates the coats of arms of the various Kingdoms of Spain, with geometric lathe-work filling the background.
Vorderseitenlegende 1 BANCO DE ESPAÑA UNA PESETA DE CURSO LEGAL MADRID 15 DE JUNIO DE 1945 EL GOBERNADOR. EL INTERVENTOR. EL CAJERO FCA NAL DE MONEDA Y TIMBRE
(Translation: Bank of Spain One Peseta legal tender Madrid, June 15, 1945 The Governor. The Comptroller. The Cashier)
Rückseitenbeschreibung Anmelden um Details zu sehen
Rückseitenlegende Anmelden um Details zu sehen
Unterschrift(en) Anmelden um Details zu sehen
Sicherheitsmerkmal Anmelden um Details zu sehen
Beschreibung der Sicherheitsmerkmale Anmelden um Details zu sehen
Varianten Anmelden um Details zu sehen
Anmerkungen

Spain's 1 Peseta notes of this period were a direct consequence of the postwar peseta shortage — Franco's economic isolation following World War II made small-denomination notes a practical necessity well into the late 1940s, filling the gap left by coin shortages that the regime struggled to address. The FNMT had been printing peseta notes domestically since the Civil War years, and by 1945 the operation was well established, if chronically under-resourced.

López Sánchez-Toda was one of the FNMT's most accomplished engravers of the mid-century period. The 1 Peseta denomination was among the smallest formats his workshop handled — technically demanding precisely because fine intaglio detail is harder to sustain at reduced scale.