Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

1 Penny - Milner and Thompson Small Series - Christchurch

Uitgever Milner & Thompson, Christchurch
Jaar
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Medal alignment ↑↑
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde A standing Maori warrior in traditional dress is depicted at centre, positioned beside a tree fern; a kiwi and a canoe appear in the foreground, with a mountain range in the background. The legend NEW ZEALAND runs along the upper periphery in raised Latin lettering. The composition reflects a romanticised colonial-era representation of New Zealand's indigenous and natural heritage, executed in low relief typical of mid-nineteenth century trade token engraving.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde MILNER & THOMPSON'S CANTERBURY MUSIC DEPOT & PIANOFORTE WAREHOUSE SOLE AGENTS FOR JOHN BRINSMEAD & SONS PIANOS
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Milner & Thompson operated as grocers and provision merchants in Christchurch, New Zealand, issuing tradesman's tokens during the 1860s when the colonial copper coinage supply from Britain was chronically inadequate for everyday transactions. The "Small Series" designation distinguishes these pieces from the firm's earlier, heavier issues — a practical response to shifting commercial needs rather than any official directive. Andrews 383 is notably scarcer than its larger counterpart, with surviving examples disproportionately concentrated in institutional collections rather than the open market.

MISSCHIEN OOK INTERESSANT