Danh mục
| Đơn vị phát hành | Isle of Man |
|---|---|
| Năm | 1758 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Penny (1⁄280) |
| Tiền tệ | Pound (1709-1839) |
| Chất liệu | Copper |
| Trọng lượng | 8.6 g |
| Đường kính | 31 mm |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | Medal alignment ↑↑ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#7 |
| Mô tả mặt trước | `AD` monogram surmounted by a ducal coronet with date below |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | AD 1758 |
| Mô tả mặt sau | Triskeles in centre |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau |
QUOCUNQUE·JECERIS·STABIT· (Translation: Whereever you throw it, it will stand) |
| Cạnh | Plain |
| Xưởng đúc | |
| Số lượng đúc |
1758 - - 60 000 1758 - Proof - |
| ID Numisquare | 2549574700 |
| Thông tin bổ sung |
Historical Context: The 1758 One Penny, issued by James Murray, 2nd Duke of Atholl and Lord of Mann, signifies a critical juncture in Manx numismatic history. As one of the last independent Lords before the 1765 Revestment, Murray's coinage addressed the island's persistent need for local currency. This issue highlights the Isle of Man's unique semi-autonomous status during the mid-18th century, demonstrating a distinct local authority in monetary affairs before its integration with the British Crown.
Artistry: Though the specific engraver is unrecorded, the dies for the 1758 Penny likely originated from a London die-sinker, reflecting the prevailing Georgian stylistic school. The obverse presents a laureated bust of James Murray, facing right, rendered with a conventional classicism typical of the era. The reverse prominently features the ancient Manx Triskelion, surrounded by the island's motto, "QUOCUNQUE JECERIS STABIT." The design prioritizes legibility and heraldic clarity, characteristic of utilitarian coinage.
Technical/Grading: Struck in copper, the 1758 Penny frequently displays variable strike quality. Key high-points for wear assessment on the obverse include Murray's wig curls, ear, and drapery folds. On the reverse, the central hub of the Triskelion and the individual knees/feet are critical. Due to copper's softness and 18th-century coining limitations, weak strikes, especially on legends, are common. Planchet quality varies, with minor laminations or irregular flans often impacting overall eye appeal and grade.