Catalogus
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| Uitgever | England |
|---|---|
| Jaar | 1216-1247 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | 17 mm |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin (uncial) |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | +TONAS ON CANT (Translation: Tomas of Canterbury) |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The Short Cross penny series ran from 1180 under Henry II through most of Henry III's reign, with the cross on the reverse deliberately kept short of the coin's edge — a design choice that made clipping harder to detect, since clippers could remove silver from the rim without visibly cutting into the design. Class 7 issues fall within the period when the coinage was deeply problematic: widespread clipping and the circulation of foreign imitations had so degraded the currency that Henry III eventually commissioned a full recoinage in 1247, replacing the Short Cross type entirely with the Long Cross design, whose arms now reached the rim precisely to expose clipping.