目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | Crowned bust of the young King Edward VI facing right, rendered in the late medieval hammered style typical of the first coinage period. The effigy displays the king wearing a crown with visible arches and jewelled band, with draped shoulders indicated by horizontal lines. The bust is set within a beaded inner circle, with the surrounding legend interrupted by the irregular flan edge. The portrait is characteristic of the debased Bristol mint output, showing somewhat crude die workmanship relative to the Tower mint issues. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | ED` . 6 · D` . G` . ROSA SINE SPINA (Translation: Edward by the Grace of God a rose without a thorn) |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Edward VI's first coinage period was effectively Henry VIII's debasement program running on inertia — the young king inherited a monetary system already in crisis, with silver content so degraded that the coins were essentially base metal with a silver wash. Bristol was one of several provincial mints reactivated to meet demand during this period, operating under the supervision of the Bristol mint master alongside London, Canterbury, and Durham House.
The .344 fineness places this squarely in the trough of Tudor debasement, before the great recoinage of 1551 under Northumberland's council restored anything approaching honest silver content.