1 Obol

发行方 Antivari, City of
年份 1300-1400
类型 Standard circulation coin
面值 2 Obol = 1 Follaro = 1⁄30 Grosso (1⁄60)
货币 Grosso
材质 Copper
重量 0.89 g
直径
厚度
形状 Round (irregular)
制作工艺 Hammered
方向
雕刻师
流通至
参考资料 Dobrinic#1.3.1.5
正面描述 St. George riding on horseback with nimbus, killing dragon with lance, two pearls below
正面文字
正面铭文 [S] · · -G-
背面描述 St. George standing with nimbus facing, killing dragon with lance
背面文字
背面铭文 · DAnT-IVAR
边缘
铸币厂
铸造量 ND (1300-1400) - -
Numisquare 编号 4989785190
附加信息

Historical Context: This copper 1 Obol coin from the City of Antivari (modern Bar, Montenegro) dates from the period 1300-1400, a turbulent era for this strategically vital Adriatic port. During this century, Antivari frequently shifted allegiances, falling under the suzerainty of Serbian rulers, Venetian Republic, and local lords, yet often maintained significant municipal autonomy. The issuance of its own coinage, particularly a small denomination like the obol, underscores the city's robust local economy and its capacity for self-governance, facilitating daily commerce amidst the complex geopolitical landscape of the medieval Balkans.

Artistry: The design of this 1 Obol, typical of medieval city issues from the region, would have been executed by an anonymous local die-sinker, reflecting a pragmatic rather than highly refined artistic tradition. The stylistic school leans towards a local Balkan interpretation of late medieval numismatic art, characterized by simplicity and clear legibility. Common design elements for such small denominations include a stylized cross on the obverse, often symbolizing Christian authority or protection, and a simple monogram, civic emblem, or initial on the reverse, denoting the issuing authority of Antivari.

Technical/Grading: Weighing 0.89 grams and struck in copper, this 1 Obol typically exhibits characteristics common to medieval small-denomination coinage. The flans are often irregular in shape and thickness, and the strike itself can be weak, uneven, or off-center, leading to incomplete legends or design elements. High-points, such as the central intersection of a cross or the highest relief of any monogrammatic device, are particularly susceptible to wear and are frequently found flattened even on well-preserved examples due to the inherent limitations of the medieval striking process.

×