目录
| 发行方 | Nepal |
|---|---|
| 年份 | 1773-1777 |
| 类型 | Standard circulation coin |
| 面值 | 1 Mohar |
| 货币 | Mohar (1546-1932) |
| 材质 | Silver |
| 重量 | 5.6 g |
| 直径 | 28 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | KM#472 |
| 正面描述 | |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
1695 (1773) - KM#472.2 - 1696 (1774) - KM#472.1 - 1697 (1775) - KM#472.1 - 1697 (1775) - KM#472.2 - 1698 (1776) - KM#472.1 - 1698 (1776) - KM#472.2 - 1699 (1777) - KM#472.1 - 1699 (1777) - KM#472.2 - |
| Numisquare 编号 | 1934452180 |
| 附加信息 |
Historical Context: This 1 Mohar coin was issued by Pratap Simha, who reigned over the newly unified Kingdom of Nepal from 1775 to 1777 CE. Succeeding his father, Prithvi Narayan Shah, the architect of Nepal's unification, Pratap Simha's brief rule was characterized by continued administrative consolidation and significant cultural patronage. His coinage served to assert the legitimacy and authority of the Shah dynasty, reinforcing the new political order established after the conquest of the Malla kingdoms and ensuring the continuity of the state's economic system.
Artistry: The specific engraver of this Mohar remains anonymous, a common characteristic of Nepalese coinage from this era, where mint artisans executed designs within an established stylistic tradition. The coin exemplifies the intricate Nepalese numismatic artistry, often drawing from Hindu religious iconography. Its design typically features complex mandalas or representations of deities such as Taleju Bhavani, surrounded by elaborate floral motifs and the ruler's name and date in elegant Nagari script, reflecting a deep spiritual and aesthetic sensibility prevalent in the Kathmandu Valley.
Technical/Grading: Struck in silver with a weight of 5.6 grams and a diameter of 28 millimeters, this Mohar exhibits typical technical qualities of its period. Key high-points for grading include the fine details of the central deity or mandala, the serifs of the Nagari script, and the intricate border elements. Due to hand-hammering, strikes can often be uneven or slightly off-center. A full, sharp strike across all design elements, especially the highest relief areas, is rare and highly prized, as weakness from insufficient striking pressure is common.