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1 Mark
| Uitgever | Stadt Radolfzell (City of Radolfzell) |
|---|---|
| Jaar | 1921 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | K. Fuchs |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse is rendered in a vibrant Art Nouveau palette of black, green, yellow, and terracotta, with vertical side panels of stylised snowdrop flowers in potted stems forming a decorative border. The central vignette presents a panoramic lakeside view of Radolfzell at the beginning of the 19th century, with a boatman on the shore, tall trees to the right, and the town's church towers reflected in calm water under a radiant sunrise. A white circular cartouche at upper centre carries the numeral 1 and MARK, while the lower margin bears a poetic quotation attributed to Victor v. Scheffel in Gothic script. |
| Opschrift keerzijde | RADOLFZELL 1 MARK zu Anfang des 19. Jahrhunderts. O Radolfzell du altes Nest, mit deinen Wackenmauern! Victor v. Scheffel. |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Radolfzell's 1921 notgeld issue came out of the same municipal emergency that flooded southern Germany with small-denomination scrip during the postwar coin shortage. What distinguishes this particular piece is the printer-designer pairing: Stähle & Friedel was a Stuttgart commercial press with genuine artistic ambitions, and K. Fuchs produced designs for several Baden notgeld series that circulated simultaneously — meaning the aesthetic sensibility here was a regional product, not a one-off commission.
Radolfzell itself sits on the Bodensee, and its issues were among the smaller Baden municipal runs of the period, which suppresses surviving quantities.