カタログ
| 発行体 | Mecca, Sharifate of |
|---|---|
| 年号 | 1805 |
| 種類 | Standard circulation coin |
| 額面 | 1 Mahmudi |
| 通貨 | Mahmudi |
| 材質 | Copper |
| 重量 | 22.96 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#A1 |
| 表面の説明 | Mint name |
|---|---|
| 表面の文字体系 | Arabic |
| 表面の銘文 |
مكه ضرب (Translation: Struck in Mecca) |
| 裏面の説明 | Date |
| 裏面の文字体系 | Arabic |
| 裏面の銘文 |
١٢١٩ سنه (Translation: Year 1219) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1219 (1805) - ١٢١٩ - |
| Numisquare ID | 2147567780 |
| 追加情報 |
Historical Context: This 1 Mahmudi copper coin, issued in 1805, hails from the Sharifate of Mecca under Sharif Ghalib ibn Musa'id. The early 19th century was a period of significant geopolitical instability for the Hejaz. While nominally Ottoman, the Sharifs maintained considerable local autonomy. Ghalib's reign (1788-1813) was marked by the escalating threat of the First Saudi State, which would soon capture Mecca. This copper coinage served as essential local currency, asserting the Sharifate's economic independence amidst external pressures.
Artistry: The artistry of this Mahmudi is characteristic of provincial Ottoman Islamic coinage, emphasizing calligraphic design. The engraver remains anonymous. The stylistic school adheres to an aniconic tradition, typically featuring inscriptions in Naskh or Thuluth script. The obverse likely presents Ghalib's name, titles, mint (Mecca), and date. The reverse would probably contain a religious declaration or further honorifics, all within simple, often dotted, circular borders.
Technical/Grading: Struck in copper, 22.96 grams, this coin's technical qualities are paramount for grading. High-points for wear and strike typically include the apex of calligraphic elements, particularly initial and terminal strokes of letters, and clarity of surrounding decorative motifs. Strike quality can vary considerably; examples may exhibit full, well-centered strikes or show areas of weakness, especially on the periphery, or slight off-centering. Planchet preparation also contributes to overall aesthetic and technical assessment.