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| 表面の説明 | Draped bust of a female figure facing right, with elaborately curled long hair falling over the shoulder, rendered in the Baroque style typical of mid-17th century Italian coinage. The effigy occupies the central field, with the truncation visible at the lower portion. A circular Latin legend surrounds the bust, separated from the effigy by a plain inner border. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | 1668 - date in the legend - 1668 - date on either side of the shield - |
| 追加情報 |
The luigino was never intended for Monaco's domestic economy. These small silver coins were struck by dozens of minor European princes in the 1660s specifically for export to the Levant trade, where Ottoman merchants accepted them by weight alongside Ottoman akçe. Louis I issued them under his Italian title — Luigi — precisely because the series demanded that idiom. The scheme collapsed around 1668–1670 when the Ottoman authorities cracked down on the flood of underweight imitations saturating the eastern Mediterranean markets.