カタログ
| 発行体 | Christiania |
|---|---|
| 年号 | 2015 |
| 種類 | Local coin |
| 額面 | 1 Løn |
| 通貨 | Løn |
| 材質 | Silver |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round Milled |
| 製造技法 | |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Dyssebroen bridge inside Christiania territory. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | FRISTADEN CHRISTIANIA20 15LEV OG LAD ANDRE LEVE |
| 裏面の説明 | Face value on cannabis leaf and snail |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | 1 LØN |
| 縁 | Smooth |
| 鋳造所 | |
| 鋳造数 | 2015 - |
| Numisquare ID | 7369231081 |
| 追加情報 |
Historical Context: This 1 Løn piece, dated 2015, originates from Christiania, the self-proclaimed autonomous Freetown within Copenhagen, Denmark. Established in 1971, Christiania represents a unique social experiment. Its issuance of local currency or tokens, such as this "Løn" (Danish for "wage"), underscores its distinct economic and social identity. These pieces serve not as national tender but as internal media or symbolic assertions of the community's enduring autonomy and alternative lifestyle.
Artistry: The design of the 2015 1 Løn typically embodies the Freetown's unique ethos, blending folk art and minimalist symbolism. While a specific engraver is rarely attributed, the aesthetic aligns with local artistic contributions. The obverse commonly features the iconic Christiania flag—three yellow dots on a red field—symbolizing unity. The reverse might display "1 Løn" alongside a motif representing community values, nature, or peace, rendered with a direct, unpretentious style characteristic of Christiania's artistic output.
Technical/Grading: Struck in silver, this 2015 1 Løn piece, despite unrecorded weight and diameter, generally exhibits a competent strike for a modern, non-sovereign issue. High-points for grading include the crispness of the three yellow dots on the obverse and the definition of any communal symbols or lettering on the reverse. Collectors should examine fields for typical bag marks. The silver composition suggests higher-quality production for both use and collection, often displaying a brilliant uncirculated or proof-like finish.