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| Uitgever | Banque de Syrie et du Grand-Liban |
|---|---|
| Jaar | 1939 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 148 x 93 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | لبنان الكبير بنك سوريا والبنان الكبير لیرة واحدة CL. SERVEAU FEC. RITA SC. |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Watermark visible in the unprinted oval area on the obverse |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banque de Syrie et du Grand-Liban was already an institution living on borrowed time when this note was issued — France's League of Nations mandate over Syria and Lebanon was under increasing political pressure, and the bank's privilege to issue currency would eventually be restructured after the war. Clément Serveau was a prolific designer for French colonial currency of this period, his work appearing across multiple issuing authorities with the Banque de France handling production.
The engraving credit to Marguerite Dreyfus — who signed her work as "Rita" — is worth noting. She was among a small number of women working in intaglio engraving at the Banque de France during this period, a profession that was almost entirely male-dominated.